Honolulu Academy of Arts Exhibition Young Adults Arts Classes

Fine art museum in Honolulu, Hawaii, United States

The Honolulu Museum of Art



Established	1922
Location	900 South Beretania Street (between Ward and Victoria Streets), Honolulu, Hawaii
Director	Halona Norton-Westbrook
Website	world wide web.honolulumuseum.org

Honolulu Academy of Arts
U.Southward. National Register of Historic Places


Location	900 S. Beretania St., Honolulu, Hawaii
Coordinates	21°18′xiv″North 157°l′55″W / 21.30389°Northward 157.84861°W / 21.30389; -157.84861 Coordinates: 21°18′14″N 157°50′55″West / 21.30389°Due north 157.84861°Due west / 21.30389; -157.84861
Built	1927
Architect	Bertram Goodhue
Architectural style	Hawaiian
NRHP referenceNo.	72000415^[1]
Added to NRHP	March 25, 1972

The Honolulu Museum of Art (formerly the Honolulu Academy of Arts) is an art museum in Honolulu, Hawaiʻi. The museum is the largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has ane of the largest single collections of Asian and Pan-Pacific art in the The states, and since its official opening on Apr 8, 1927, its collections have grown to more than 55,000^[2] works of fine art.^[3]

Description [edit]

The Honolulu Museum of Art was called "the finest small museum in the United Statesˮ by J. Carter Brown, director of the National Gallery of Art from 1969 to 1992.^[4] In add-on to an internationally renowned permanent collection, the museum houses innovative exhibitions, an fine art school, an contained art firm theatre, a café and a museum shop. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu Academy of Arts; in 2012, the combined museum inverse its proper name to the Honolulu Museum of Art.

The museum is accredited by the American Brotherhood of Museums and is registered as a National and State Historical site. In 1990, the Honolulu Museum of Art School was opened to expand the program of studio art classes and workshops. In 2001, the Henry R. Luce Pavilion Complex opened with the Honolulu Museum of Art Café, Museum Shop, and Henry R. Luce Wing with 8,000 square anxiety (740 m^two) of gallery infinite.

Collections and holdings [edit]

Mrs. Thomas Lincoln Manson Jr (Mary Groot) 1890, by John Vocalizer Sargent. Oil on canvass (56.06" x 44.25")

The Honolulu Museum of Art has a large collection of Asian art, particularly Japanese and Chinese works. The Asian fine art collection includes more than 20,000 works of fine art, with galleries dedicated to Nihon, Communist china, Korea, India, Southeast Asia, Republic of indonesia, and the Philippines. The collection is especially strong in Chinese and Japanese paintings, Korean ceramics, Buddhist and Shinto sculpture, Due south and Southeast Asian sculpture and decorative arts, and textiles from across Asia. The crown jewel of the Asian fine art collection is the James A. Michener Drove of more than than ten,000 Japanese ukiyo-eastward woodblock prints, the third largest collection of its kind in the Usa.^[five]

Major collections include the Samuel H. Kress collection of Italian Renaissance paintings, American and European paintings and decorative arts, art of Africa, Oceania, and the Americas, textiles, contemporary art, and a graphics collection of over 23,000 works on paper.

The museum'south European and American collection of paintings, sculptures, decorative arts, textiles, and more than than 15,000 works on paper, range in date from the Renaissance to the nowadays. Highlights are major Impressionist, Postal service-Impressionist and early modernist paintings by Georges Braque, Paul Gauguin, Vincent van Gogh, Fernand Léger, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso and James McNeill Whistler. Significant works of art from the 20th century to the present include paintings and sculptures past Lee Bontecou, Alexander Calder, Leon Golub, Philip Guston, Yan Pei Ming, Isamu Noguchi, Nam June Paik, John Singer Sargent and David Smith.

The Department of European and American Fine art has paintings by Josef Albers, Francis Bacon, Edward Mitchell Bannister, Romare Bearden, Jean-Baptiste Belin, Bernardino di Betti (called Pinturicchio), Abraham van Beyeren, Albert Bierstadt, Carlo Bonavia, Pierre Bonnard, François Boucher, Aelbrecht Bouts, Mary Cassatt, Paul Cézanne, Giorgio de Chirico, Frederic Edwin Church building, Jacopo di Cione, Edwaert Colyer, John Singleton Copley, Piero di Cosimo, Gustave Courbet, Carlo Crivelli, Jasper Francis Cropsey, Henri-Edmond Cross, Stuart Davis, Edgar Degas, Eugène Delacroix, Robert Delaunay, Richard Diebenkorn, Arthur Dove, Thomas Eakins, Henri Fantin-Latour, Helen Frankenthaler, Bartolo di Fredi, Jan van Goyen, Francesco Granacci, Childe Hassam, Hans Hofmann, Pieter de Hooch, Adélaïde Labille-Guiard, Philip Guston, William Harnett, George Inness, Alex Katz, Paul Klee, Nicolas de Largillière, Sir Thomas Lawrence, Morris Louis, Maximilien Luce, Alessandro Magnasco, Robert Mangold, the Master of 1518, Pierre Mignard, Claude Monet, Thomas Moran, Giovanni Battista Moroni, Grandma Moses, Robert Motherwell, Alice Neel, Kenneth Noland, Georgia O'Keeffe, Amédée Ozenfant, Charles Willson Peale, James Peale, Camille Pissarro, Fairfield Porter, Robert Priseman, Robert Rauschenberg, Odilon Redon, Diego Rivera, George Romney, Francesco de' Rossi (called Il Salviati), Carlo Saraceni, Gino Severini, Frank Stella, Gilbert Stuart, Thomas Sully, Yves Tanguy, Jan Philips van Thielen, Giovanni Domenico Tiepolo, Bartolomeo Vivarini, Maurice de Vlaminck and William Guy Wall.

The collection as well includes three-dimensional works by Alexander Archipenko, Robert Arneson, Leonard Baskin, Lee Bontecou, Émile Antoine Bourdelle, Nick Cave, Dale Chihuly, John Talbott Donoghue, Jacob Epstein, David Hockney, Donald Judd, Jun Kaneko, Gaston Lachaise, Wilhelm Lehmbruck, Roy Lichtenstein, Jacques Lipschitz, Aristide Maillol, John McCracken, Claude Michel (called Clodion), Henry Moore, Elie Nadelman, George Nakashima, Louise Nevelson, Hiram Powers, Pierre-Auguste Renoir, George Rickey, Auguste Rodin, James Rosati, Augustus Saint-Gaudens, Lucas Samaras, George Segal, Mark di Suvero, Tom Wesselmann and Jack Zajac.^[6] ^[vii] The permanent drove is presented in 32 galleries and half-dozen courtyards.

The museum traces the history of art in Hawai'i, with a gallery dedicated to Hawaiian traditional arts, art by Hawai'i artists, and art of Hawai'i.

The permanent collection is presented in 32 galleries and six courtyards.

Admission [edit]

The Honolulu Museum of Art occupies 3.2 acres (xiii,000 m²) most downtown Honolulu. The museum is open to the public Thursday through Sun. Admission is free to members, children 18 & under and for some events, simply otherwise a fee is charged. Gratuitous admission is offered to Hawai'i residents on the third Sun of the month from ten a.thousand. until six p.m.^[eight] Guided tours are offered several times daily.

Hours [edit]

The museum is open: Thursday 10 am - 6 pm, Fri 10 am - ix pm, Sat 10 am - 9 pm, Lord's day ten am - 6 pm. Closed Monday - Wednesday.

Doris Duke Theatre [edit]

The Doris Duke Theatre at the museum seats 280. It hosts movies, concerts, lectures, and presentations.

Robert Allerton Art Library [edit]

In 1927, the Research Library opened with 500 books. In 1955, it was expanded and named for Robert Allerton. The collection includes 45,000 books and periodicals, biographical files on artists, and sale catalogues dating to the first of the 20th century. The library is a non-circulating research facility with a reading room open to the public.^[9]

Honolulu Museum of Art Schoolhouse [edit]

Teaching has been at the core of the Honolulu Museum of Art'south mission since it opened in 1927. Today the museum serves more than 40,000 children and adults annually through complimentary school tours, classes and workshops, outreach programs, activity-filled free museum days, gratuitous lectures, and other special programming held throughout the twelvemonth.

The Honolulu Museum of Art School (formerly the Academy Art Center at Linekona) opened in 1990, and now serves thousands of children and adults each twelvemonth.

The Honolulu Museum of Fine art Schoolhouse is currently undergoing renovations, and is set to reopen in summer 2022.^[10]

Shangri La: Doris Duke Foundation for Islamic Fine art [edit]

Shangri La is a museum for learning near the global culture of Islamic fine art and design through innovative exhibitions, educational initiatives, public programs, and customs partnerships. Through a partnership with the Honolulu Museum of Art (HoMA), visitors may tour Shangri La. Reservations are required.^[11]

Doris Duke (1912–1993) built Shangri La with the help of American architect Marion Sims Wyeth. Knuckles'due south collection of Islamic art was assembled over 60 years.

History [edit]

Anna Rice Cooke (1853–1934), daughter of New England missionaries and founder of the Honolulu Museum of Art, in her dedication argument at the opening of the museum on April 8, 1927, said:

"That our children of many nationalities and races, born far from the centers of fine art, may receive an intimation of their own cultural legacy and wake to the ideals embodied in the arts of their neighbors ... that Hawaiians, Americans, Chinese, Japanese, Koreans, Filipinos, Northern Europeans and all other people living here, contacting through the channel of art those deep intuitions mutual to all, may perceive a foundation on which a new culture, enriched by the old strains may be congenital in the islands." —Anna Rice Cooke ^[12]

Born on Oʻahu in 1853, Cooke grew up on Kauaʻi island in a home that appreciated the arts. In 1874, she married Charles Montague Cooke and the two eventually settled in Honolulu. In 1882, they built a home on Beretania Street, across from Thomas Square. As Cooke's career prospered, they gathered their private art collection. Commencement were "parlor pieces" for their home. She frequented the shop of article of furniture maker Yeun Kwock Fong Inn who ofttimes had ceramics and textile pieces sent from his brother in Prc.

The Cookes' art collection outgrew their home and the homes of their children. In 1920, she and her girl Alice (Mrs. Phillip Spalding), her daughter-in-police Dagmar (Mrs. Richard Cooke), and Catharine East. B. Cox (Mrs. Isaac Cox), an art and drama teacher, began to catalogue and enquiry the drove with the intent to display the items in a museum. With fiddling formal training, these women obtained a charter for the museum from the Territory of Hawaii in 1922, while continuing to catalogue the collection. Cooke wanted a museum that reflected Hawaiʻi'southward multi-cultural brand-up. Not bound by the traditional western thought of fine art museums, she also wanted to showcase the isle's climate in an open and airy surround, using courtyards which interconnect the galleries throughout the museum.

The Cookes donated their Beretania Street land forth with an endowment of $25,000. Their home was torn downwards to make manner for the museum. New York architect Bertram Goodhue designed a classic Hawaiian-fashion building with uncomplicated off-white exteriors and tiled roofs.^[13] Goodhue died before the projection was completed; it was finished by Hardie Phillip. This mode has been imitated in many buildings throughout the land.

On April viii, 1927, the Honolulu Museum of Art opened. There was a traditional Hawaiian approval and the Purple Hawaiian Ring, nether the direction of Henri Berger, played at festivities. With the opening of the museum came gifts of many pieces, sometimes even unabridged collections. Additions to the original building include a library (1956), an education wing (1960), a gift shop (1965), a cafe (1969), a contemporary gallery, administrative offices and 292-seat theater (1977), and an art center for studio classes and expanded educational programming (1989). In 1999, the museum created a children'due south interactive gallery, lecture hall, and offices.^[12]

The original edifice was named Hawaiʻi's best building by the Hawaiʻi Chapter of the American Found of Compages and is registered as a National and State Historical site. The museum is accredited past the American Alliance of Museums.

In 1998, extensive renovation began starting with the Asian wing. In September 1999, construction began on the John Hara-designed Henry R. Luce Pavilion Circuitous, which opened May thirteen, 2001. It includes expanded spaces for The Pavilion Café and The Museum Store and a new two-story exhibition structure. The Luce Circuitous is named for Henry R. Luce, the co-founder and editor of Fourth dimension Magazine and other publications. His widow, Clare Boothe Luce, had a residence in Hawaiʻi and served on the museum'south board of trustees from 1972–1977.

New galleries exploring cross-cultural influences, were renovated and re-opened in the Western Wing in November 1999. A new gallery for Korean art was opened in June 2001. New galleries for the arts of India, Indonesia, and Southeast Asia were renovated and opened in January 2002. A new gallery for the art of the Philippines named for retiring Museum Director and his married woman, George and Nancy Ellis, opened in 2003. In February 2005, the museum opened an Asian Painting Conservation Studio and in December 2005, completed renovation of the Western Art galleries.

In 2001, the museum entered into a partnership with the Doris Duke Foundation for Islamic Art and the theater was refurbished and renamed for her in July 2002. In October 2002, the museum opened a new gallery that serves equally the orientation centre for all tours to Doris Duke's Honolulu estate Shangri La, which started on November half dozen, 2002.

Due to the 2019–20 coronavirus pandemic the museum laid off ane third of its full-time workers & every seasonal worker that worked part time to reduce the spread of COVID-nineteen on April 17, 2020.^[14]

The museum'due south permanent collection grew to over 38,000 pieces with significant holdings in Asian art, American and European painting and decorative arts, 19th- and 20th-century fine art, an extensive collection of works on newspaper, Asian textiles, and traditional works from Africa, Oceania, and the Americas.

The Gimmicky Museum and Honolulu Academy of Arts Merge [edit]

The former Contemporary Museum, Honolulu in Makiki Heights was integrated into the Honolulu Academy of Arts in July 2011. The Academy's lath of trustees voted in December 2011 to change the museum'south public proper noun to the Honolulu Museum of Art every bit of March 2012, retaining its legal name every bit the Honolulu University of Arts. The one-time Contemporary Museum, or Spalding House, became the Honolulu Museum of Art Spalding House, the Art Center at Linekona became the Honolulu Museum of Art Schoolhouse, and The Contemporary Museum at Kickoff Hawaiian Center became the Honolulu Museum of Art at Outset Hawaiian Center.^[fifteen]

Sale of Spalding House [edit]

On July 16, 2019, the museum announced that its board of trustees would exist selling Spalding Firm in an effort to "let the museum to focus its resources on its main campus at Beretania Street."^[16]

Interim director and trustee, Mark Burak, stated: "From a fiduciary standpoint, we've taken a very long and hard look at this from all angles. While the Spalding House property's beauty and historic significance make it hard to function with, it has also been challenging splitting our attention between two large, resource-intensive art campuses, i express by several factors that have fabricated it difficult to evangelize the kind of quality art exhibitions, programs and services we have desired."

Trustee and chairman of the Building and Grounds Committee, Jim Pearce, added: "The committee ended unanimously that it would be to the long-term benefit of HoMA to prepare Spalding House for auction. Nosotros are fortunate to take a board and employees who carefully evaluate all options for the future and are continually making changes to ensure that we maintain the solid financial ground necessary to fulfill our mission. Making and enabling this determination has been determined to correspond adept business exercise for the long term." said Jim Pierce, trustee and chairman of the Building and Grounds Committee, in the release.

Following these comments regarding the fiduciary responsibility of the Board, many community members speculated on well-being of the institution. In his editorial, Loss Of Spalding Business firm A Reminder Old Coin Alone Won't Sustain The Arts, Sterling Higa speculated on the fiscal history of the establishment, wide spread urban development beyond Honolulu, and the inflow of new foreign investment. He writes: "Our islands play host to out-of-country wealth. Japanese, Canadian and Chinese coin pours in. Silicon Valley billionaires plant roots. Given the context, information technology seems likely that Spalding House will be sold to a strange buyer, and the grounds will no longer be attainable to the full general public. We tin can pray for conservancy, merely salvation may not come. Better to hope that the new oligarchy is as generous every bit the old oligarchy, which ancestral us relics like Spalding Business firm.^[17]

Directors [edit]

Frank Montague Moore (1924–1927)
Mrs. Isaac Chiliad. Cox (1927–1928)
Mrs. Livingston Jenks (1929–1935)
Edgar C. Schenck (1935–1947)
Robert P. Griffing, Jr. (1947–1963)
James W. Foster (1963–1982)
George R. Ellis (1982–2003)
Stephen Picayune (2003–2010)
Stephan Jost (2011–2016)
Sean O'Harrow (2017-2019)^[18]
Mark Burak (2019-2020).^[19]
Halona Norton-Westbrook (2020).^[xx]

Education [edit]

The museum's Instruction Section programs include guided tours, workshops, gallery classes, and children'due south art activities. Docents are trained to provide gallery tours likewise as educational activities such as Keiki-Parent Activity Tours and art experiences for seniors.

Tours [edit]

Docents conduct tours for the public, school groups (pre-school and upwardly), and customs organizations. Groups of 10 or more than persons and classes are requested to schedule tours at least two weeks in advance.

Special tours, focusing on temporary exhibitions oftentimes include supplementary materials and activities, some peculiarly designed for children. Workshops and exhibition previews for teachers and other educators may also be offered. Theme tours concentrate on a specific country, region, time period, fine art motion, or groups of artists. Museum tours may be customized to correspond to the specific requirement of a class or group.

Docent Council meetings are conducted throughout the year along with continuing education of the museum collections and special training sessions for all major and traveling exhibitions.

Children [edit]

Gallery Chase Activity Sheets send the families through the galleries to observe certain works of art that focus on a theme.

Working with the Hawaiʻi Department of Didactics and Oʻahu public schools, the museum provides fine art educational activity programs for selected 5th graders and special pedagogy students.

The Ambassador program includes three parts. First, an Ambassador brings a museum-in-a-box to the classroom. Next, students bout appropriate galleries at the museum. Finally an Ambassador leads an art project in the classroom. Ambassador Programme themes include: East meets West, Hawaiʻi and Its People, Fine art of the Philippines, Animals in Art, and Animals in Art for Special Education, Fine art of the Ancient World, and Art of the Pacific.

Other educational resource [edit]

The museum's educational resources support educators, collectors, students, members, artists and art historians with a small library and a not-reservation collection.

The Robert Allerton Art Research Library is open to college-level students, members, and other adults for art historical inquiry. Information technology is a non-circulating collection of over 40,000 volumes in a closed stack system and includes general reference materials, museum archives, artist files, and auction catalogues. Free Cyberspace admission is provided.

Lending Collection: Art objects, crafts and folk arts from around the world, books, and art work reproductions are some of the many items available for loan in the Lending Collection. Located in the basement of the Museum Art Eye at Linekona, the Lending Collection is available to schools, libraries, and other customs organizations.

Educational programs [edit]

School programs include art classes for Special Didactics students and programs for fifth graders in Hawaiʻi public schools, which combine museum tours and easily-on experience creating fine art in studio classes at the art center.

Luce Pavilion Complex [edit]

The Luce Pavilion complex, opened May 13, 2001, includes a new cafe, souvenir shop, and a 2-story building with two 4,000-square-foot (370 thousand²) galleries. Other facilities include undercover storage, loading dock, dry-pipe burn down sprinklers, vertical transportation systems for passengers, remote video broadcast capabilities, conservation lighting control systems, and climate command organisation. The Luce Pavilion Complex is completely wheelchair accessible. The project cost over $9 one thousand thousand.

The complex added 26,000 square feet (2,400 m^two), increasing the museum size to 143,000 foursquare feet (13,300 chiliad²). The Luce Foundation donated $3.5 million towards the structure of the complex. Ground breaking ceremonies for the complex were held on September 23, 1999, and grand opening was May 13, 2001. The Henry R. Luce Gallery holds traveling exhibitions.

The John Dominis and Patches Damon Holt Gallery [edit]

The 2nd flooring gallery of the Henry R. Luce Wing in the Luce Pavilion Complex houses works from the museum'due south Arts of Hawai'i drove. The John Dominis and Patches Damon Holt Gallery includes an introduction to indigenous Hawaiian art, early Western views of Hawaiʻi, and the art of contemporary Hawaiʻi-based artists. The gallery reflects irresolute life and landscapes of post European-contact Hawaiʻi as well as its exploration of Hawaiʻi'southward changing artistic traditions as Island communities grew and became less isolated during the 19th and early 20th centuries.

Early views of Hawaiʻi, dating from the last decades of the 18th century and the beginning of the 19th, by expedition artists such every bit England's John Webber and Robert Dampier, French republic's Auguste Borget and Stanislaus Darondeau, and Russian federation's Louis Choris, nowadays images of the Western globe's showtime contact with Hawaiʻi. Nineteenth-century images by European artists such every bit George Burgess, Paul Emmert, Nicholas Chevalier, and James Gay Sawkins, who passed through Hawaiʻi, show the growth of Western-fashion communities and an appreciation for the state and sea.

The Holt Gallery besides features painting, watercolors, drawings, prints and photographs by artists such equally Enoch Wood Perry, Jules Tavernier, D. Howard Hitchcock, John La Farge, Georgia O'Keeffe, Ansel Adams, Brett Weston, Roi Partridge, and Jean Charlot. Works past Hawaiʻi-born artists including Marguerite Louis Blasingame, Isami Doi, Hon Chew Hee, Cornelia MacIntyre Foley, and Keichi Kimura reveal the development of an ethnic modernist tradition in 20th century Hawaiʻi, and include today'southward contemporary artists including Lisa Reihana, James Jack and Yan Pei Ming. Other regional artists in the collection include Charles W. Bartlett, Juliette May Fraser, Shirley Russell, Madge Tennent, and John Young. The John Dominis and Patches Damon Holt Gallery also features space for changing exhibitions which focus on the arts of Hawaiʻi.

The Holt Gallery was named for John Dominis Holt and his belatedly wife Frances "Patches" Damon Holt. John Dominis Holt was born to part-Hawaiian parents of aliʻi rank. He learned the religion, customs, mythology, and the Hawaiian linguistic communication. By the time he was a teen, he was already a genealogist.

Honorary trustee of the museum and wife of John Dominis Holt, Frances "Patches" Damon Holt was actively involved in many cultural projects. Descendant of a missionary family and a graduate of Punahou Schoolhouse, she received a law degree from Columbia University and was educated in England. Together with her older sister, Harriet Baldwin, she helped to oppose the H-3 project through Moanalua Valley. They as well established a foundation to help preserve cultural and environmental values.

HoMA Café & Java Bar [edit]

The café was established in 1969. Information technology had a uncomplicated menu and for over twenty years was operated by volunteers. Professional direction and staff were gradually added. In September 1999, the café was moved during construction of the Luce Pavilion Complex, and more than doubled in size to iii,100 square anxiety (290 one thousand²). It overlooks a granite fountain with reflection pond and sculptures past Jun Kaneko.^[21]

The HoMA Café offers casual, contemporary cuisine and refreshments along with a signature island-way hospitality, perfectly complementing the museum experience. The open up-air Café is a designated body of water-friendly restaurant, committed to operating as sustainably as possible.

The Coffee Bar is located outdoors in the museum'south Palm Courtyard, with a pick of java and tea drinks, beer and wines, and grab-and-go bill of fare items.

There is no museum admission charge to dine at the Café during dejeuner hours.

Gallery [edit]

Tirthankara, Republic of india, 10th-11th century
Tirthankar, Bharat, c. 1118 AD
Ganesha, Bronze, India, 19th century
Vishnu with ii attendants, India, 8th-9th century
Chinese tomb sculpture of farmer, Han dynasty, 1st-2nd century CE
Dog, China, Han dynasty, 206 BCE-220 CE
The Star God of Longevity, Prc, Ming dynasty, 16th century
Amida, Nihon, Muromachi catamenia, 15th century
Processional Mask of Guardian Deity, Nippon, Heian period, 1086
Gilt bronze statue of Sakyamuni, Korea, Unified Silla Kingdom, eighth-9th century
Hevajra statue, Nepal, 19th century

Footnotes [edit]

^ "National Register Information Arrangement". National Register of Historic Places. National Park Service. July 9, 2010.
^ "Refining and Reimagining a Collection". Hawaii Concern Magazine. Baronial 27, 2021. {{cite web}}: CS1 maint: url-status (link)
^ Ellis, George R., "Statement by George R. Ellis", Orientations, Dec. 1999, p. 30
^ Sigall, Bob, Several Pieces at Fine art Museum Have Fascinating Backgrounds, Honolulu Star Advertiser, June 7, 2013, p. B3.
^ Kealamakia, Spencer (Apr six, 2022). "Allurement Infinite". Halekulani Living TV. {{cite web}}: CS1 maint: url-status (link)
^ Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990
^ Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000
^ "Plan Your Visit". Honolulu Museum of Fine art. {{cite web}}: CS1 maint: url-status (link)
^ "Robert Allerton Art Library". Honolulu Museum of Art. {{cite web}}: CS1 maint: url-condition (link)
^ "Art School". Honolulu Museum of Art. {{cite web}}: CS1 maint: url-status (link)
^ "Home". Shangri La Museum of Islamic Art, Culture & Blueprint. {{cite web}}: CS1 maint: url-status (link)
^ ^a ^b Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu University of Arts, 1990, p.10
^ Gurewitsch, Matthew (December 26, 2013). "A Hawaiian Grand Bout". The Wall Street Journal. p. D5.
^ Fujimori, Leila (April 17, 2020). "Honolulu Museum of Fine art lays off a 3rd of full-timers, all part-timers and seasonal help". Honolulu Star-Advertiser.
^ Nakagawa, Lynn (December 7, 2011). "Honolulu Academy of Arts to be renamed Honolulu Museum of Art". Pacific Business organisation News. Retrieved 19 June 2014.
^ Wu, Nina (2019-07-16). "Honolulu Museum of Fine art to sell historic Spalding Business firm in Makiki". Honolulu Star-Advertiser . Retrieved 2019-08-04 .
^ "Sterling Higa: Loss Of Spalding House A Reminder Old Money Lonely Won't Sustain The Arts". Honolulu Civil Beat. 2019-07-26. Retrieved 2019-08-04 .
^ "The Academy's website". Retrieved 2013-02-17 .
^ "Honolulu Museum of Fine art". wfly.co . Retrieved 2019-04-12 .
^ "A new HoMA era: Meet the museum's next director | Honolulu Museum of Art". honolulumuseum.org . Retrieved 2021-05-28 .
^ "Cafe". Honolulu Museum of Fine art. {{cite web}}: CS1 maint: url-status (link)

References [edit]

Ecke, Gustav (1965). Chinese painting in Hawaii, in the Honolulu Academy of Arts and in private collections. Honolulu: University University of Arts.
Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu University of Arts, 1990.
Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000.
Honolulu Academy of Arts, Academy Album; A Pictorial Selection of Works of Fine art in the Collections, Honolulu, Honolulu Academy of Arts, 1968.
Honolulu Museum of Art, Honolulu Museum of Art Drove Highlights, Honolulu Museum of Art, 2016 ISBN 9780937426913
Little, Stephen, Visions of the Dharma, Japanese Buddhist paintings and prints in the Honolulu University of Arts, Honolulu, Honolulu Academy of Arts, 1991, ISBN 0937426148

External links [edit]

Official website
Online gallery

mickensspersen.blogspot.com

Source: https://en.wikipedia.org/wiki/Honolulu_Museum_of_Art